{[ Alert: Long, sectioned post with as many pics & links as I could find ]}
This thing about growing up in a place, which is culturally not what your family is from, can as expected and is well-known, cause many confusions, discomfort actually, in those growing years. Trying to fit in local, but that feeling of always lagging behind and, thanks to pre-existing labels, not being accepted where you try to fit in. This could be happen when growing up in different states in India or moving outside India. In this conflict, the only place you know you fit in, is Home. And the other is in Popular media. So seeing your representation in the most popular media is pretty thrilling. Hindi movies and Doordarshan has been more a part of me than Kannada movies and TV channels, thanks to the places I grew up in. So excited-pointing out, every time a Kannadiga showed up onscreen, was one of the exciting points of watching experience. Here are few of the very well-known names.
Creators
In the 50s and 60s, Kananda producers were not actively making Hindi movies as much as movie producers from Madras. However a lot of director/producers did show up, while some exclusively created Hindi content.Puttanna Kanagal - an iconic figure in Kananda movies, remade his Kannada movie Naagarahaavu to Hindi Zehreela Insaan, based on 3 Kannada novels by T. R. Subba Rao (TaRaSu). Hindi movie had the same Chitradurga location. O Hansini song was pictured same as Baare Baare song, which was shot very inventively. Max of the song was in slow motion, and in some scenes the screen was split with one in normal speed and other in slow motion. It was ahead of its time. I did not see the Hindi movie, but saw Naagarahaavu and few other of Puttanna's Kannada movies as a school-kid. Almost all of them about mis-fits and their tragic situations, put more fear in my mind than any horror movie.
Ahista Ahista (1981 film) is remake of Puttanna's famous Kannada film Gejje Pooje (1969) based on a novel by M K Indra. Emotional story, so was very involving. Lovely actors all in the movie and perfect music by Khayyam.
Produced by NFDC, Girish Kasaravalli made bilingual Ek Ghar with Deepti Naval and Naseeruddin Shah in 1990. It was fun to watch these to prime Hindi stars speaking Kannada.
I don't count Guru Dutt in my favorites, considering the darkness in his works; even though I have seen all his romantic and light-hearted stuff too. No one can discount the high level of work he had produced. When I grew up and fell in Wiki rabbit-hole, I learnt that Dutt was not his last name (it was Padukone) and he was not a Bengali as is the impression, but a Konkani. That was a shocking discovery for me.
Shyam Benegal's filmography is mind-blowing. Even for a masala-movies kid, I can bet I have seen it all. That's because they are all entertaining and engrossing. And hence why I am not naming any one of them. Ok, my movie recommendations - Trikal, Manthan, Kalyug, Junoon, Mammo, Welcome to Sajjanpur, Well done Abba. Bharat Ek Khoj was my Gen TV series and now it can be an official educational tool. Yatra is a great trip for a Railway and the 80s nostalgia. It was much later that I learnt that Benegal is a village in Karnataka.
Nishant cast photo |
Shabana Azmi, Shyam Benegal, & Smita Patil at Cannes for Ankur |
In the 80s & 90s, I heard of Manmohan Shetty as almost exclusive producer of Govind Nihalani movies and shows. And later as the owner of influential AdLabs. His daughters Pooja Shetty-Deora and Aarti Shetty are taking it to bigger scale as Reliance MediaWorks.
Malgudi Days is an ultimate example of Kar impact on national level. Made by Kannadigas, it went on to become a National favorite and even today a trigger of nostalgia for the 90s kids. Based on a book by R K Narayan, made by Shankar Nag, this show was made by all Kannadigas and shot in Agumbe, Bangalore and Tumkur. Eventually Master Manjunath , showed up in Agneepath and Vishwatma, there was lot of finger pointing - by us at the screen and repeatedly saying "Swami Swami". Kids you know.
R K Narayan and Shankar Nag |
A very influential Mumbai grown personality is Director Rohit Shetty. His movies have always been the big mainstream ones, my favorite being Chennai Express.
And then there is this entity, I cannot cannot ignore. Not a director or producer or any star. But has played a role in Hindi movies. That is the Vijaya Bank. It was a matter of pride, everytime Vijaya Bank credits played on screen of Rajshri Production movies. Anecdotes of Tarachand Barjatiya visiting VB branches are legendary among the VB alumni who served in Bombay in the 80s.
Vijaya Bank credits in Maine Pyar Kiya |
Vijaya Bank credits in Hum Aapke Hai Kaun |
Actors
The most iconic figure would have to be Fighter Shetty . He was a villian side-kick in hundreds of masala movies. But I liked him best in Sikandar. This was a Black and White children's movie, where 3 kids and their puppy went on a road adventure. Among all people their encounter, they do get picked by Fighter Shetty, who does his typical menacing best. And at the end of his sequence, he turns out to be the most sweetest teddy bear.Fighter Shetty aka M B Shetty |
Many superstar heroines from the 60s-70s, did act in token Hindi movies, without relocating. Bharathi worked in numerous Hindi movies, and it was thrilling to watch her in Purab Aur Paschim.
The most prominent migrant from Bangalore to Mumbai of this age, has to be Deepika Padukone. DP grew up in Bangalore, debuted in Kannada movie and then went on to rule the Hindi movie scene. She had a blockbuster debut in Hindi and followed it up with substantial work. Recently, Anushka Shetty (a Telugu movie vetren) in Hindi dubbed monolith Baahubali.
But before DP and after Bharathi there was a Shetty wave in the 90s, homegrown in Mumbai with roots from Karnataka. Shilpa Shetty and Sunil Shetty played main roles and acted in all Masala movies. Since they were in popular movies, I got asked a lot of questions by my school friends - thanks to the same last name. And Aishwarya Rai - came in via international fame and was totally a queen in every movie she worked in.
Anant Nag - the most endearing one in all his roles. I grew up watching his typical hero-wala Kananda movies and then remembered seeing him in number of Hindi movies previously. He was part of many Shyam Benegal movies, as it turned out that he had a base in Bombay too before moving to Bangalore.
Shabana Azmi & Anant Nag in Ankur |
Prakash Belawadi is active in Kannada scene, but its always great to spot him in the recent Hindi movies. His presence had enriched these movies - Madras Cafe, Youngistaan, Talvar, Airlift and Te3n. I don't know of anyone else who can equal his portrayal of manipulative or grumpy or negative roles.
Prakash Rai/Raj menacing villian in many Hindi movies and a prolific actor in all 4 south Indian languages, not to forget National Award wining actor.
Arundhati Nag, an eminent Kannada personality who has appeared in a few Hindi movies & TV shows, mainly Dil Se & Paa. I am aware of the times during which she founded and continued the workings of Ranga Shankara.
Padmavati Rao has appeared in numerous Hindi movies. I remember her for a detective show on DD, name of which I have forgotten and can find a trace of it online. Unbelievable that she doesn't have a Wiki page ! And found out she is sister of Arundhati Nag
And Poonam Shetty, who played the role of Shrutakirti, Shatrugun's wife in Ramanand Sagar's Ramayana. Even if her role was minor, seeing the Shetty name in the Cast credits of this iconic 90s TV show was very talk-worthy. She would be the first discovery for my gen.
Poonam Shetty in Ramanand Sagar's Ramayana |
Language
With Rohit Shetty, I was thrilled by him having the same last name on such a huge popularity scale. But I appreciate how he includes Tulu or KAR specific in his movies, given that Tulu or Karnataka may not have featured as importantly in his growing up years. He included Pili vesha dance in Kashmir Main Tu Kanyakumari song.There was an entire sequence with prominent dialogs in Tulu and a North Kar village location included in Singham. It was controversial, some ripple in quite waters, but it was thrilling to see its inclusion in a wide release movie. I hope the controversy did not dissuade him from including more in his future movies. Chennai express tackled many points about South Indian languages and includes bits of all those languages and cultural references.
Speaking of Tulu, in the movie Welcome, Sunil Shetty (in a cameo as himself) spoke Tulu with Nana's character (Uday Shetty).
About Kannada in Hindi movies, I can't remember any. I faintly remember there was a non-mainstream movie (with MS Satyu connection, I think) in which characters in a train, spoke in many Indian languages. But I don't remember anything else about it.
Movie Characters
Sadashiv Amrapurkar as the main villan Rama Shetty in Ardh Satya (1983). Inspite of being the villain, every Shetty I know was impressed.
Nana Patekar as Uday Shetty in Welcome (2007) - Full fledged Shetty in main protagonist role. And on the whole, every scene in the movie was funny.
Inspector Vishnu Kamath in Dum Maro Dum (2011). I am counting in Goa ka Konkani as well because he was the protagonist and with no irritating South Indian-ism stereotype in his character. Abhishek entry sequence was too good to see in HD and he was the best part of the movie, all good dialoges for him. "Cuna tha. Chuna lagaya." and more.
Girish Karnad as Salman's boss Shenoy in Ek Tha Tiger (2012). He had some chunky crucial scenes as Tiger's mentor. And the most whistle-maro moment was the scene where he asks Gopi for the number of countries in the world :D
Dr Varun Shetty in Krish 3 (2013). It was great to see Arif Zakaria after a long time, but his name was totally unexpected, so I went "Ai ?"
In Daulat Ki Jung (1992), there is a minor villain character named Mr Shetty
There are more Shetty's in different Web Series Short Films.
More Names:
Nakash Aziz (singer), Neetha Shetty (Model, Actress);Happy Karnataka Day ! Jai Karnataka !
This post is a result of months of typing and single person research. I have obviously covered only the prominent and very popular personalities. And also because they were who, I saw in my TV time. Today, the second and further generation Kannadigas, growing up outside Karnataka and those migrating from Karnataka, are the numerous skillful contributors in different departments making up the Hindi movies.It is said that Kannadigas outside Kar, do not unite, do not form their groups, are shy to talk in Kannada as much as other South Indian regionalists. Yes very true observations. But it's because we are not threatened by any fear of loss of Kannada or our identity. We are living up the language and Karnataka link, as we go, wherever we go.